Pisanello, Antonio


Pisanello, Antonio
(bef. 1395-1455)
   The last of the Italian painters to work in the International Style, a mode he learned from his master, Gentile da Fabriano. Pisanello was born in Verona to a Pisan family. He was active in the courts of Milan, Ferrara, and Rimini, working primarily as a medallist. He achieved great fame during his lifetime, as attested by a number of poems written in his honor. His most famous work is the St. George and the Princess (c. 1437-1438), a fresco in the Pellegrini Chapel in the Church of Sant' Anastasia, Verona. Here St. George arrives to rescue the princess of Libya who has been offered as sacrifice to a dragon. The scene is a courtly representation with elegant knights, horses, and even a castle in the background. Pisanello had a particular interest in the depiction of animals, denoted here by the different angles in which he presents the horses. His Vision of St. Eustace (c. 1440; London, National Gallery) also demonstrates his interest in this genre. The saint was converted to Christianity when, during a hunt, he saw the figure of the crucified Christ between the antlers of a stag. Pisanello's rendering shows the saint mounted on a horse experiencing the vision while surrounded by animals of prey and hunting dogs. Pisanello was also an accomplished portraitist. His Portrait of Lionello d'Este (1441; Bergamo, Accademia Carrara) and the Portrait of a Princess from the d'Este House (1436-1438; Paris, Louvre) show the sitters in profile in emulation of ancient Roman coinage to give a sense of permanence. The abundant patterning and emphasis on courtly elegance in these paintings are characteristic of Pisanello's art and the features that place him among the leading masters of the International Style.

Historical dictionary of Renaissance art. . 2008.

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  • Pisanello, Antonio — (ca. 1395 1455)    Italian artist, known for his paintings (few of which survive), his commemorative medals, and his hundreds of beautiful drawings. Born in Pisa and trained somewhere in northern Italy, he may have painted a historical fresco in… …   Historical Dictionary of Renaissance

  • Pisanello, Antonio Pisano, llamado — ► (¿1397 1456?) Pintor, grabador y medallista italiano. Trabajó en Mantua y en Verona, donde en 1426 terminó una Anunciación para la iglesia de San Fermo …   Enciclopedia Universal

  • PISANELLO — ANTONIO PISANO dit (av.1395 1455?) Peintre, dessinateur et médailleur italien. Formé à Vérone dans l’ambiance du gothique international, près de Stefano da Zevio, Pisanello reçut à Venise une impulsion nouvelle de Gentile da Fabriano: La Madone à …   Encyclopédie Universelle

  • Pisanello — Pisanello, Antonio Pisano, llamado …   Enciclopedia Universal

  • Pisanello — Bildnismedaille von Pisanello Fresko auf Leinwand übertragen Antonio Pisanello (* 1395 in Pisa; † 1455 in Rom), eigentli …   Deutsch Wikipedia

  • Antonio Puccio di Giovanni di Cerreto — Pisanello Portrait d une princesse d Este, Musée du Louvre, Paris …   Wikipédia en Français

  • Pisanello — (c. 1395 ndash; probably 1455), known professionally as Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance …   Wikipedia

  • Pisanello — Pato, por Pisanello, 1430 1440, acuarela sobre papel, Museo del Louvre, París. Pisanello, de nombre real Antonio di Puccio Pisano o Antonio di Puccio da Cereto (h. 1395 probablemente 1455), erróneamente llamado Vittore Pisano por Giorgio Vasari,… …   Wikipedia Español

  • Antonio Pisanello — Bildnismedaille von Pisanello Lionello d Este, Profilbildn …   Deutsch Wikipedia

  • Pisanello — Portrait d une princesse d Este, Musée du Louvre, Paris …   Wikipédia en Français


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